a r c h i v e

please enjoy looking through my performance archive

MASH POTATOES

Mashed Potatoes is a short cabaret number first made for Crystal Bollix's Definitely Maybe Actually Nevermind. It is about the tiring repetition of the same old jokes at the expense of fat women in romcoms - through mashing potatoes.

WET FAT WOMAN

Wet Fat Woman was conducted as a practice based research project investigating how the fat female body can operate as a material for desire and disgust. It was originally shown at The Crown Jewels Festival at Chats Palace in May 2019.

CATFISH (not the MTV show)

CATFISH (not the mtv show) is an exploration of discourses around sex and relationships via online dating, especially regarding expectations and views of female bodies, ideas of self-perception and self-presentation and the addictive nature of hook-up culture.

MISSY PIGGY

MISSY PIGGY was first developed for her-pees collective's T's and C's Apply night. It is a cabaret-performance art piece about societal perceptions of fatness, about the pressure to fulfil those perceptions (and the seeming futility of rejecting them) and the insidious cultural practice of hogging. 

IAN CELL'S COMPREHENSIVE GUIDE TO PICKING UP WOMEN

Ian Cell's Comprehensive Guide to Picking Up Females​ is a drag king act that paraodies and critiques the misogyny of incel culture and pickup artists. It was developed during Soho Young Companies Drag and Cabaret Lab in March 2019.

WRITING AND 
DIRECTING

Writing and directing credits include:

Rat Race by Eilis Price - Co-director (Ed Fringe, 2018)

The Cabaret at the End of the World', written and co-directed by roz whiteley and Eilis Price (QMUL, 2019)

Auto-Nation by Cindy Kim - Assistant Director